Ana Rull Suárez

Ana Rull Suárez is a Doctor in English Philology. She has worked as teacher of Spanish Language for foreigners, and as teacher of North American and English literature in The U.N.E.D. (Universidad Nacional de Educación a Distancia). She has worked teaching a Master course at the European University of Madrid. She has published about Edgar Allan Poe and both Thomas Pynchon and Don DeLillo; she has also worked on Pynchon and Cervantes as well as relational studies. She has collaborated on a number of radio programmes focussed on British and American literatures.



“The Journey as Pictorial Metaphor in the novel by Thomas Pynchon The Crying of Lot 49”, en Carvalho, Rui. Relational Designs in Literature and the Arts: Page and Stage, Canvas and Screen. Amsterdam: Rodopi, 2012 (pp. 361-370).

“De la luz renacentista al ‘contraluz’ de la postmodernidad. Itinerario simbólico-cervantino en Pynchon’, Visiones y revisionescervantinasActas selectas del VII CIAC, Alcalá de Henares. 787-796. 2011.

“Pynchon’s Against the Day: Sociopolitical Suspicion and Double Spaces of Espionage”. In David Walton and Juan Suarez (editors). Boarders, Networks, Escape Lines: Contemporary Writing and the Politics of Space. Peter Lang. ISBN 978-3-0343-2205-8. 2016 (About to publish).

“Análisis crítico del relato de Edgar A. Poe The Tell-Tale Heart”  Espéculo, nº 42: julio-octubre. Año XIV.  Madrid, 2009

“White Noise and The Crying of Lot 49 Illuminazioni, I,  Roma, nº 9 : luglio-settembre 2009. Páginas: 45-64.

Review of David Walton’s New Book, Doing Cultural Theory, en The International Journal of Cultural Policy. Taylor & Francis Online. Vol. 20, Issue 3, 2014.

Review of James Gourley’s Terrorism and Temporality in the Works of Thomas Pynchon and Don DeLillo. 2013. ATLANTIS Journal of the Spanish Association of Anglo-American Studies 37.1 (June 2015): 217-220.